09/02/2010 06:15 pm CDT
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Alexander Girard
Alexander Girard

Vibrant, lively, (fun)ctional designs. FLOR has a soul mate in textile designer Alexander Girard.

Many consider Alexander Girard the most influential textile designers of the modern era. As textile designer at Herman Miller, Girard's fabric designs became part of the furniture of Charles and Ray Eames and George Nelson among others. Behind those fabrics, as well as the wallpapers and 300 other designs Girard contributed during his 20-plus years with Herman Miller, was a unique folk art-inspired aesthetic. Over the course of his adult life, Girard, along with his wife, collected more than 100,000 pieces of folk art, many of which are housed at the Museum of International Folk Art in Santa Fe, New Mexico. In 1965, he turned that aesthetic loose on Braniff Airlines. "The End of the Plain Plane" project comprised 17,000 Girard redesigns of everything from the airplanes themselves to passenger lounges and playing cards.

La Fonda del Sol History

The La Fonda del Sol restaurant project was Girard's 1959 riff on folk art: bold graphics in saturated colors revving up the walls, the furniture, the floors, the tableware, the menus, even the matchbooks. Though the restaurant closed in 1971, Girard's work there maintained an iconic status - each piece thoroughly beautiful, all supremely functional.

Flora History

FLOR's "Flora" rug pattern was inspired by Alexander Girard's Eden textile design, which was originally released as an eight color printed design through Herman Miller in 1966. As with other Girard designs, Eden truly showcases Girard's love for color and the printing process. He designed at least nine different color variations of Eden, all featuring bright, unusual color schemes with a strong modernist twist to flora/fauna patterns. Like much of his other work, Girard's inspiration was largely from Latin American folk art and narrative where "jungle" and "paradise" (Eden) themes abound.